It seems that we are living in what is called a “culture of elimination” these days. Just this week, Dr. Seuss announced that it will no longer publish six lesser-known books by the popular children’s author due to its aggressive and racist portrayal. Mr. Potato Head is now non-gender. Some episodes Puppet show Special warning stickers on Disney +. Aunt Jemima KO’d on drink shelves. In a sweeping wave of re-evaluation of the cultural images we have grown up with in our American lives, a new and more sensitive light on the way we view the past is being presented through a more politically correct perspective in 2021.
In this regard, Turner Classic Movies (Traditional Chinese medicine), The WarnerMedia-owned cable channel dedicated to the loving display of Hollywood’s cinematic heritage from the inception of the medium until now, has also jumped into the fray, announcing that it will be dedicating its climax programs every Thursday for March beginning of the night with a new series titled “Reframe: Classic Movies in a Rearview Mirror.” “. The network puts it this way: “aAll films in this series are legendary classics, but when we watch them today, we see them in a different cultural context. Often times we now see issues that we may not have seen when they were made, whether it be related to race, gender, or gay issues. The five TCM hosts will rotate roundtable screenings for each film as they will discuss these 20th century films from a 21st century perspective. The goal is to never censor, but simply to provide a rich historical context for each classic. ‘
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The series begins tonight with a focus on Gone with the WindSeven brides of seven brothers, Hitchcock Rope And 1939 The four feathers. The opening film, Oscar-winning 1939 MGM David O. Selznick starring Clark Gable and Vivien Leigh, was already the subject of critical rethinking by TCM’s new brother HBO Max, who removed him from the fledgling broadcast service over the past summer. Troubles and after prof Los Angeles Times Opinion piece by screenwriter John Ridley criticizing the film for glorifying slavery and perpetuating racial stereotypes about African Americans. At the time, Allafatri said he would eventually be brought back by “discussing its historical context and condemning those same perceptions… If we want to create a more just, equitable and inclusive future, we must first acknowledge and understand our history.” She finally came back two weeks later with an introduction. A 4 1/2 minute video from TCM host Jacqueline Stewart that put it in context for Audience Now, plus an hour-long panel discussion recorded at the TCM Classic Film Festival that examined the beloved epic’s complex history.
Based on that, TCM is programming its own targeting a selection of films made in a single era that in some ways may play very differently in this era, at least without context. “I think over the past two years, just as the world has changed and the culture has changed, we at TCM have really tried to build on that as well, and to be more than just a place of pure nostalgia, but also a place that can really be a vital part of the cultural conversation today, though. Than we’re showing movies from the past, ”said TCM co-host Dave Karger explaining why the network decided to expand on what HBO Max had started. “The idea has been suggested that all five of us co-host this month-long series where we look at a dozen or so classic films, but look at them from a more modern point of view. The idea is not to shame or scold these films, but only To explain some context of some content that might appear contradictory, out of place, or even offensive in some of today’s extreme examples. ”
Karger says there is no suggestion of censorship in any way. These films have not been cut, and in fact TCM is proud to present the films as they were produced without commercial interruption. But he says the world has changed drastically since he started playing many of their stable movies on the channel, which founder and original owner Ted Turner created to show his purchase of the iconic MGM library including his favorite crown jewel. Every time, Gone with the Wind. “I think it’s important to look at, you know, in certain cases, the United States was just emerging from WWII, and you know, gender roles at that time were very different from what they are today, of course. The way people viewed LGBT issues was very different, ”he said, noting that homosexuality was often seen as just a psychological disorder in many films from past eras that represent TCM’s bread and butter for programming.
The hosts also had some input in selecting some of the films in the series. For example, co-host Alicia Malone suggested including something about how they treat transgender people and gender identity. This led to Alfred Hitchcock’s inclusion sociological patientAnd the What I had to admit I didn’t think of that way. “I think the transgender community is often excluded from conversations like this, and it is seen through, again, through a different modern lens of what it means to have a villain dressed like his mother (as Anthony Perkins did in sociological patient), And if they mention the word transgender in the movie, which of course is a very old term now, they are talking about it being a mental illness. And so, all of these can be problematic when we look at perhaps some real-life repercussion of having a trans or a cross-legged personality. It is either something very comical to laugh at or something very horrific that can be thought of as wild, especially when studies see that most Americans come across an image. Transforming person through film and television rather than in real life, “Malone said.
Among the upcoming movies over the next month Guess who’s coming to dinner, jazz singers, researchers, swing time With Esther and Rogers, Stagecoach, Tarzan The monkey man, my lovely lady, the children’s hour, Gunga deen And more.
One of the series’ films is the year 1961 Breakfast at Tiffany’s With her unforgettable performance of Adrie Hepburn as Holly Julietli. It wasn’t the problem there, though. Recently released a report that Paramount was seeking the rights to remake the film; I suggested to a studio executive friend of mine that a better idea would be to re-release the original and remove Mickey Rooney from it. The problem has been solved, right? Rooney played a flashy Asian stereotype, which director Blake Edwards put into the movie for some cheap laughs. It’d be better without that character later on, but the censorship is just as bad.
“We were talking about this movie and to what extent, you know, that whole story where Mickey Rooney’s character seems out of place, intolerant and everything, for the rest of the movie, and so, you can see an argument for excluding things,” Malone said. “But of course, at TCM, I know we all feel very strongly about keeping movies intact as well as continuing to play movies, even if it’s a problem, because it allows us to have these discussions instead of just ignoring them and pretending they don’t even exist.”
Karger added, “I’m really tired of seeing the phrase de-culture being brought up, you know, from all sides, and I’d like to look at what we’re doing instead of canceling, it’s setting context, it’s conversation, to use some other ‘c’ word.” This is a more productive way of doing things.And as Alicia said, we’re not going to pretend that this wasn’t there, but we’re also not going to put everything on a base and say everything was cool. You can’t show Breakfast at Tiffany’s Without discussing the offensive portrayal of Mickey Rooney and trying to understand it, which is what Ben Mankiewicz really helped me understand when we were talking about him in this series, why it happened at the time. ”
Another of tonight’s other movies is the classic foam-core musical Seven brides of seven brothers, 1954 Academy Award nominee for Best Picture. Maybe something is wrong Which – which? “It is a great musical. It is a pleasure to watch. The choreography is sporty and impressive, so you have, you know, the case of sibling kidnapping of wives, and so on, and it speaks to the idea of male dominance as romanticism, consent and all of these. The issues, “Malone explained.” But again, it doesn’t have to be a movie that you might think would be included in the series, but when you watch it with a fresh eye, you can see certain things and certain reasons that make it a problem and why some people don’t have fun watching it because of that. But I think a great deal of fun doing this series was having all these discussions and trying to figure out different ideas and dealing with the gray area, I think, is really important. “
“The Gray Zone” is what this series is all about: a way to see the classics you still love, but maybe in new ways as well.
“I think there’s a totally cool mix here that touches on a wide range of issues, and what I really like, and I know Dave and the other hosts feel the same, is that we’re able to have these wide-ranging conversations that sometimes we don’t usually talk when it comes to the movie,” Malone said. “But since each of these films is a time capsule of their production time, we can really delve into what society looked like at the time, what it is now, and how far we still have to go.”
Here is the complete timeline:
Thursday 4 March
8pm: Gone with the Wind (1939) (Ben, Jacqueline, Eddie)
Midnight: Seven Brides for Seven Brothers (1954) (Alicia, Dave, Eddie)
2 am: Tether (1948) (not hosted)
3:30 am: The Four Feathers (1939) (not hosted)
Thursday, March 11th
8 pm: Woman of the Year (1942) (Eddie, Alicia, Ben)
10:15 pm: Guess Who’s Coming to Dinner (1967) (Jacqueline, Alicia, Eddie)
12:15 am: Gunga Din (1939) (Ben, Jacqueline, Dave)
2:30 am: Sinbad the Sailor (1947) (not hosted)
4:30 am: The Jazz Singer (1927) (not hosted)
Thursday, March 18th
8pm: The Scholars (1956) (Ben, Alicia, Eddie)
10:15 p.m.: Breakfast at Tiffany’s (1961) (Dave, Alicia, Ben)
12:30 a.m.: swing timing (1936) (jacqueline, dave, eddie)
2:15 am: Stagecoach (1939) (Not hosted)
4 a.m.: Tarzan, the Ape Man (1959) (not hosted)
Thursday, March 25
8pm: My Fair Lady (1964) (Dave, Jacqueline, Alicia)
11pm: Kids’ Hour (1961) (Alicia, Dave, Eddie)
1 am: Myself (1960) (Ben, Alicia, Jacqueline)
3 a.m.: Dragon Seed (1944) (not hosted)
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